The Silent City
Some stories are found. Others find you.
- Written by
- Ilya Marren
- Published
- 2026
- Extent
- 328 pages
Beginning
A publishing house and a workshop: read the list, meet the people who wrote it, and bring us the manuscript you have been circling for years.
The house
ScriptLyra is a publishing house with a workshop attached: one place to read what has been made, and to make the thing you have been carrying.
Reading here is not a feed. It is a list, kept deliberately short, with a person behind every entry and a reason for each one being on it.
Draft in a room built for prose. No dashboards, no streaks, no notification pretending to be encouragement — only the page and how far you have got.
Editing, design, print and distribution: the unglamorous half of a book, done properly, by people who have done it before.
The list
We publish a handful of titles a year and stand behind every one. Here are the four we cannot stop talking about.
The whole listSome stories are found. Others find you.
She wrote the weather until it answered.
Four hundred letters. Not one of them mailed.
Every map is an argument about what matters.
Voices
Twenty-one writers work with the house. These four are the ones people write to us about.
All authorsLiterary fiction
Poetry and short stories
Epistolary fiction
Essays and criticism
Making a book
What happens between the manuscript you send and the book on a shelf. Five stages, roughly nine months, no mystery about any of it.
Bring us a finished draft, or the part of one you trust. Every submission is read by an editor, and every submission gets an answer.
Two passes with an editor who has read your influences. Structure first, then sentences — and never the other way round.
Type, cover, paper stock, binding. A book is an object before it is ever a purchase, and the object is half the argument.
Print and digital together, with an ISBN registered to you and a contract you can read without a lawyer beside you.
The list goes to booksellers, festival programmers, reviewers, and forty thousand readers who have come to take our word for it.
The Journal
Essays on craft, interviews with the people on our list, and the occasional argument about publishing itself.
Read the JournalEssay12 min
Memorable prose is not decorated prose. It is prose that has decided what it is willing to lose.
Rosalind Ferrier28 August 2026
A book changes what a person is able to think. That is a slow, unfashionable kind of power, and it has outlasted every invention built to replace it.
So we publish for the reader who will still be reading in thirty years, and we make books that will still be worth opening then.
Nothing here is written for the scroll.
Colophon
Submissions are open all year. Send the first fifty pages and a page about what the book is for; an editor will write back within six weeks.